“Fließgewässer” is an intentionally mysterious, playful ambient/experimental music project originated from random conversations on unexplored lands, indigenous cultures, climate change and a generally uncertain future.
Just played the first concerts on Friday and we’re booking a tour in September/October with William Luke Valerio & Fließgewässer:
17. Lonigo – Mamo Bar
18. Ljubljana – Help needed still
19. Zagreb – Help needed still
20. Banja Luka – Žiža
21. Belgrado – AKAB Okretnica
22. Novi Sad – Dom B612
23. Budapest – Help needed still
24. Wien – Vekks
26. Nürnberg – Hemdendienst
27. Würzburg – Kult
28. Wiesbaden/Frankfurt – Help needed still
29. Paris – Help needed still
02. Vic – La Clota
03. Barcelona – Espai Dinamo
“Kurobe” tape are the first attempts of creating these atmospheres, where the river becomes a metaphor of an imaginary journey in time and space.
Involved in “Kurobe”:
Silvia – packaging.
Heinzel – recordings.
Available as black tape with unique embroidery on black cotton, 200 gr metallic paper, inlay print on 170 gr grey paper here.
Kurobe has been released in August 2018.
This second release “Sonstige I” consists of miscellaneous sounds, field recordings from Siurana (a small village in Catalonia), Πλατύκαμπος (a small village in Greece) and a jam from Αθήνα (Greece), blazoned with midi-sounds.
Involved in “Sonstige I”:
Menelaos – guitar on “Πλατύκαμπος και Αθήνα νύχτα”.
Matthias – drums on “Πλατύκαμπος και Αθήνα νύχτα”.
Heinzel – midi/field recordings.
Available on black tape here.
Sonstige I has been released in October 2018.
The focus of this release are recycled old recordings, which have been wrapped up in spherical midi-sounds and underlined with rainy field recordings.
Involved in “Recycling I”:
Matthias – pedals on “Habitación mediana”.
Silvia – midi piano on “Emilia Est”.
Adrián – higher organ melodies on “Floridablanca”.
Andreu – accompanying commentary on “Floridablanca”.
Matthias – guitar on “Habitación pequeña”.
Heinzel – remaining instruments, midi- and field recordings.
Available on recycled tapes with covers made from toilet paper rolls in two variations here.
Recycling I has been released in November 2018.
“?Es ist höchste Zeit¿” are all analog recordings of guitar, organ, harmonica and voices using just a Zoom H4N recorder. The guitar riffs and harmonica sounds have been recorded in Berlin in September 2018 without having thought of a purpose for them at that point. In essence this recording is a collage of these recordings with overdubbings of organ improvisations and voices.
Involved in “?Es ist höchste Zeit¿”:
Orestis – text and voice on “Δίψα για αίμα = Greed”.
Silvia – voice on “Realisation”.
Heinzel – guitar, organ, harmonica, remaining voices and field recordings.
Available on black tape here.
?Es ist höchste Zeit¿ has been released in January 2019.
Winter Ambient 1 is an improvisation with a Korg Minilogue, I’ve had borrowed from Rafel (thanks again!) from February 2019. Besides that you can hear some balcony recordings playing back construction work sounds.
Winter Ambient 2 is an improvisation with a Korg Prologue from February 2019. Besides that you can hear some recordings of waves at los gigantes and from our balcony.
Winter Ambient 3 is an improvisation with a Korg Prologue from February 2019. Besides that you can hear some recordings from the Anemone Geysers and the Grand Geyser, which are in the public domain as “Yellowstone National Park Sound Library” by “National Park Service” and recordings from our living room.
“Winter Ambient” has been uploaded in March 2019.
| These almost 30 minutes of music resulted from a not even 3 minute long beat Alicia (Glitchgirl) sent me. This beat is implemented in Part 2.|
Alltogether Hinterwäldler flush is an ambient/drone improvisation based on the atmosphere of the original beat created by Glitchgirl using mainly a Prologue synthesizer, somewhere hidden a Thomas Californian organ and additional recordings made with a Zoom H4N.
Part 2 was released on Glitchgirl‘s compilation DESPACITO V3.
Compilation of international underground artists produced by Glitchgirl and Glitchgirl covers produced by other artists!
“The idea of this completely DIY compilation is to visibilize the artists that Glitchgirl likes, to motivate who just started to play or are not known, to challenge the creativity of artists that had stopped playing or played less music lately, to learn from the rest and to have a good time. Well. It’s mainly about having fun, isn’t it?
(ALSO A R T & F R I E N D S H I P)”
Here’s the full compilation: